Online Publications
Appalachian Review (also in print): “Self-Portrait as Fly Fisherman” (2020)
Barren Magazine: “The Weight of Spit” (2019)
Barren Magazine 2019 Poetry Contest, 2nd Place: “To My Eldest at the Age of Burning”
The Blue Mountain Review (pages 30-32): “Pastoral with Bull,” “Last Lap Around the Dead,” & “Ars Poetica at the End of the World” (2019)
Caldwell Arts 2020 Regional Poetry Contest: “The River at World’s End” (3rd Place) & “September Sunset” (Honorable Mention)
Cider Press Review: “How Mom Quit Saying Shit” (2017)
Cold Mountain Review (also in print): “Peeling Bark for Bread” & “A Tomato Sandwich for the End-Times” (2018)
Cumberland River Review: “The Black Snake on My Lawn” (2019)
The Lascaux Review (also in print): “When We Believed the World Wouldn’t End” (2019)
Little Stone Journal: “An Allegory: After They Burned” & “Love Poem: Firefly” (Page 04) (2020)
Longleaf Review: “And the Leaves, the Flowers” (2019)
Noble / Gas Qtrly: “Six Crows” (2018)
Orange Blossom Review: “While Wandering the Blue Ridge, We Followed the River Acheron” (2020)
Psaltery & Lyre: “A Prophecy for the First Horse that Carried Me” (2020)
River Heron Review: “Elegy with Failed Metaphors” (2020)
Rust + Moth: “Love Poem: The Asteroid’s Sonnet” (2019)
The Shore: “An Invitation to Light” (2019)
Still: The Journal (finalist, “Judge’s Choice”): “The Gods Who Might be Geese” (2018)
Under a Warm Green Linden: “Birdsong in the Time of Quarantine” (2020)
Verse Daily: “To the Turkey Vulture Pacing the Field” (2019)
Wild Goose Poetry Review: “The Path to Bees,” “Building Fire,” & “Absolution at the Trash Compactor” (2017)
Print Publications
Appalachian Review: “Devil’s Walking Stick,” “Elegies of Gathering,” “Self-Portrait as Fly Fisherman,” & “The River” (2020)
The Carolina Quarterly: “The Geese Who Might be Gods” (2017)
Cold Mountain Review: “Peeling Bark for Bread” & “A Tomato Sandwich for the End-Times” (2017)
EcoTheo Review: “Early Snow” 2020
Even As We Breathe: A Novel by Annette Saunooke Clapsaddle: “The Lovers’ Prayer to the Body” (as the epigraph) (2020)
The Lascaux Review: “When We Believed the World Wouldn’t End” (2021)
Light: A Journal of Photography & Poetry (as “Featured Collection”): “Otter and Trout,” “The Collision,” “Waking from Tooth-Loss,” “How to Speak With the Dying When the Dying Cannot Speak,” & “Of My Friend Who Gives Good Advice” (2017)
Main Street Rag Magazine: “Tasting Wood Sorrel” & “Silence Like” (2018)
Pembroke Magazine: “To the Turkey Vulture Pacing the Field” (2018)
The Pikeville Review: “My Brother and His Friend Pause From Their Work to Raise My Mower From the Dead,” “Un-swaddling,” “Posthumous Harvest,” & “To the Whitetail Deer Who Fled the Field” (2018)
Pinesong 2019 (Awards Anthology of the North Carolina Poetry Society): “Speak of Rivers” (Sarah Bessent Hayman Poetry of Love Award, 1st Place), “The Church of Unmaking” (Poetry of Witness Award, 1st Place)
Pinesong 2020: “A Fall Language” (American Heritage Award) & “Self-Portrait as an Oyster from the Clarenbridge Oyster Bed in Galway” (Susan Laughter Meyers Fellowship)
Witness: Appalachia to Hatteras: “Deathbed Fashion Show,” “Moon Clippings for Birds,” “On Teaching (Not Preaching) Poetry,” “Grendel’s Mom,” and “Dead Bird Poem” (2016)
